Director Michael Polish on Bringing Jack Kerouac Back to ‘Big Sur’

©ourtesy of Blackbook  Hillary Weston

Film stars Jean-Marc Barre

Director Michael Polish on Bringing Kerouac Back to ‘Big Sur’

When it comes to cinematic adaptations of literary classics, the film’s purpose should be the breathe fresh life into the narrative, to pick up the silences where the prose left off creatively. You want to engage the viewer’s desire to see what they could only imagine through the words on the page—taking the brilliance and the rhythm of the text and bringing it to life. And in recent cinema history we’ve seen more than a few adaptions that fell short—paying tribute to the work but with a heavy-handedness that alienated the audience and didn’t allow for the cinematic possibilities of the prose.

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Only GOD Forgives !!!

©ourtesy of Hillary Weston ,  BlackBookonly god forgives

See a Dark New Batch of Clips and Features for Nicolas Winding Refn‘s ‘Only God Forgives’

In the way that Paul Schrader’s Hardcore felt like pure Schrader id—an absolute tonal and visual summation of his impulsive obsessions—Nicolas Winding Refn’s latest work of brilliance Only God Forgives, feels like an amalgam of both his early cinematic fetishes and what he has been waiting his whole life to be able to show us—completely and utterly a neon-lit and blood-spattered world of his own making. Unlike Drive, Only God Forgives is no Ryan Gosling-led fairytale, rather it’s a hyper-real look at a mother and son out for violent revenge in a Refn world where human connection is always achingly desperate yet staunchly distant. The overwhelmingly color-drenched and stunning film plays like candy for those who crave the filmmakers style and with the release of the feature coming up later this month, there are four new clips for you to feast your eyes and ears on,

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